Titre : |
Women Writing in Question : Politics and Aesthetics in Margaret Atwood’s Novels |
Type de document : |
texte imprimé |
Auteurs : |
Houda Bouhadjar, Auteur |
Editeur : |
Tlemcen : University Aboubakr Belkaid |
Année de publication : |
2019 |
Importance : |
277 p. |
Format : |
21/27 cm. |
Langues : |
Anglais (eng) |
Mots-clés : |
women’s writing, aesthetics, paratextuality, intertextuality, hypertextuality,
dystopia, gothic romance, epic, politics. |
Résumé : |
The present research studies three novels by Margaret Atwood which are Lady Oracle, The
Handmaid’s Tale and The Penelopiad as woman’s texts. The three belong to different generic
categories and signal important stages in Atwood’s development as a woman writer. This
study attempts to analyse the aesthetic and intertextual aspects of the aforementioned novels.
It examines Atwood’s transformations of the three subgenres: the gothic, the dystopia and the
epic to uncover the political aims behind their female appropriation by the writer.
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Women Writing in Question : Politics and Aesthetics in Margaret Atwood’s Novels [texte imprimé] / Houda Bouhadjar, Auteur . - Tlemcen : University Aboubakr Belkaid, 2019 . - 277 p. ; 21/27 cm. Langues : Anglais ( eng)
Mots-clés : |
women’s writing, aesthetics, paratextuality, intertextuality, hypertextuality,
dystopia, gothic romance, epic, politics. |
Résumé : |
The present research studies three novels by Margaret Atwood which are Lady Oracle, The
Handmaid’s Tale and The Penelopiad as woman’s texts. The three belong to different generic
categories and signal important stages in Atwood’s development as a woman writer. This
study attempts to analyse the aesthetic and intertextual aspects of the aforementioned novels.
It examines Atwood’s transformations of the three subgenres: the gothic, the dystopia and the
epic to uncover the political aims behind their female appropriation by the writer.
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